Latest news & site updates Information Articles & interviews Photo gallery Video clips Interact Site info & links


8th February: Side Effects released (US)
15th March: Side Effects released (UK)

There are 445 fans listed in the Steven Soderbergh fanlisting. If you're a Soderbergh fan, add your name to the list!


Information | Photos | Official website Released: 2020

Information | Photos | Official website Released: 2020


Now available from

Now available from

DVDs that include an audio commentary track from Steven:
Clean, Shaven - Criterion Collection
Point Blank
The Graduate (40th Anniversary Collector's Edition)
The Third Man - Criterion Collection
Who's Afraid of Virginia Woolf?



An old Stamp on a new film
By Randall King
(Winnipeg Sun, December 3, 1999)

Steven Soderbergh has made eight films in the 10 years since his debut Sex, Lies and Videotape won the Palme d'Or at the Cannes Film Festival.

He was a 26-year-old boy wonder then. The Georgia-born filmmaker is 36 now. And throughout his career, he's retained the ability to keep audiences off-balance with his wide range of interests, which have included a classic noir (The Underneath), a Depression-era memoir (King Of The Hill), an experimental whatsit (Schizopolis) and a kick-ass heist thriller (Out Of Sight).

The Limey, his latest, is Soderbergh's eccentric take on a revenge thriller. It's eccentric because the director, collaborating with screenwriter Lem Dobbs, has fashioned a time-slipping narrative incorporating footage from a long-forgotten 1967 English drama.

The idea, Soderbergh says, grew out of the notion of casting Terence Stamp as a vengeful British ex-con who comes to America to avenge the suspicious death of his daughter.

"He's the closest incarnation of Lee Marvin in Point Blank that we could come up with," says Soderbergh.

And since the film was conceived as a meditation on the legacy of the '60s, he asked Dobbs if there were any films they could cannibalize for footage of a young Stamp behaving like the career criminal he plays in The Limey.

"Lem said, 'I know exactly the movie, this Ken Loach film, Poor Cow'. Lem had this fifth-generation bootleg of it, and it was perfect," he says. "It was like documentary footage. It looked like someone was just following Terence around with a camera."

Another bold choice was to cast Peter Fonda as Stamp's nemesis, an L.A. record producer.

"When we decided on Terence, Lem said 'It's got to be Peter. It's got to be somebody who has not only an equal amount of iconic weight but a similar kind of iconic weight’.

"Peter and Terence were both guys who had gone their own way and have a certain integrity about them," Soderbergh says.

Of course, the same can be said about Soderbergh, who steadfastly charts his own course through Hollywood's powerful currents.

"I think people have given up trying to figure out what I'm up to," he says. "It just keeps you from being pigeonholed."


Latest news & updates  -  Information  -  Articles & interviews  -  Photo gallery  -  Video clips  -  Interact  -  Site info & links

Steven Soderbergh Online is an unofficial fan site and is not in any way affiliated with or endorsed by Mr. Soderbergh or any other person, company or studio connected to Mr. Soderbergh. All copyrighted material is the property of it's respective owners. The use of any of this material is intended for non-profit, entertainment-only purposes. No copyright infringement is intended. Original content and layout is © Steven Soderbergh Online 2001 - date and should not be used without permission. Please read the full disclaimer and email me with any questions.